Grande salle Pierre Boulez – Philharmonie. Dans ce treizième album, Blue Maqams , Anouar Brahem, a fait appel à trois musiciens de jazz qui parlent avec son instrument. That same year, his collaboration with Ochestre National de Jazz was released as Charmediterranéen. Un article de Wikipédia, l’encyclopédie libre. Grâce à lui, la musique arabe et le jazz ont entamé un dialogue singulier qui touche au sublime. Navigation Accueil Portails thématiques Article au hasard Contact. Vous êtes abonné e à la Lettre.

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Vague , disponible uniquement en France et en Belgique, est une sélection des plus belles mélodies d’Anouar Brahem sortie en Recevez quotidiennement votre dose indispensable de culture et de savoirs. By using our website, you agree to the use of cookies as described in our Cookie Policy. The latter word in the title refers to the Arabic modal music system, and is modified by the « kind of blue » treatment the jazzmen brought to the session. Cette admission est presque trop tardive selon Brahem, les enfants tunisiens apprenant habituellement la musique plus tôt [ 3 ].

We – and our partners – use cookies to deliver our services and to show you ads based on your interests. By using our website, you agree to the use of cookies as described in our Cookie Policy. The role of the Arabic, lute-like, stringed instrument, the oud, has been revolutionized through the playing of Anouar Brahem. While used in the past to accompany vocalists, the oud is used by Brahem as an imaginative solo instrument.

InTunisian newspaper Tunis-Hebdo wrote, « If we had to elect the musician of the ’80s, we would have, without the least hesitation, chosen Anouar Brahem.

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INTERVIEW. « Blue Maqams », les rêveries jazz d’Anouar Brahem

Encouraged by his music-loving father, Brahem beahem studying the oud, at the age of ten, when he enrolled at the National Conservatory of Music. For nearly a decade, he studied with influential oud player Ali Sitri.

By the age of 15, he was playing well enough to perform regularly with local orchestras. Although he initially focused on Arabic music, Brahem increasingly incorporated elements of jazz. This was enhanced during the six years that he spent in Parisperforming at festivals and collaborating with choreographer Maurice Bejart on a production of A Return to Carthage that received the prestigious National Award of Excellence In Music.

Returning to Tunis inBrahem performed at the Carthage Festival in the multi-artist production Ligua Shortly afterwards, he agreed to become director of the Ensemble Musical de la Villa de Tunis. During the two years that he oversaw the ensemble, Brahem divided the group into smaller sets of various sizes. InBrahem resigned to focus on his own career. In a review of the album, German music magazine Stereo wrote,  » Brahem is an exceptional musician and improviser.

anouar brahem

His fourth album, Khomsa, released infeatured improvised interpretations of his compositions for Tunisian film and theater productions, and was recorded with accordion player Richard Galliano and violinist Bechir Selmi. With his fifth effort, Thimar, released inBrahem collaborated with soprano saxophone and bass clarinet player John Surman and double bass player Dave Holland.

anouar brahem

That same year, his braheem with Ochestre National de Jazz was released as Charmediterranéen. Brahem took time off to tour and to write. It would be three years before he released The Astounding Eyes of Rita played in a quartet setting with bass clarinetist Klaus Gesingdouble bassist Björn Meyerand Khaled Yassine on darbouka and bendir. The composer and oudist toured brayem festivals and select European cities with October of Affected deeply by the continually unfolding events of the Jasmine Revolution in his native Tunisia and the political tumult that followed, Brahem began composing along thematic lines.

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When he finally entered a studio in Lugano with Eicher inhe enlisted GesingMeyerand Couturieras well as the string section from Orchestra della Svizzera Italiana conducted by Pietro Mianiti. Over the course of a month, they recorded anouad material for the double album Souvenance, which was issued in the spring of brayem The latter word in the title refers to the Arabic modal music system, and is modified by the « kind of blue » treatment the jazzmen brought to the session.

The album was issued in October Listen to Anouar Brahem now.

Anouar Brahem | Philharmonie de Paris

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